Being Interviewed on the Togcast
Some time back I was surprised and humbled to be asked to an interviewee on the excellent 'Togcast' podcast which is run by two very capable and nice gentlemen, Sam Gregory and my fellow Light and Land leader, Paul Sanders.
YŪBI – Truly a book of ‘Gentle Beauty’
The book itself is a thing of great beauty. It goes without saying that the images within are stunning. Landscapes made world-wide on the Hockings global travels, that mesh with the meaning of the Japanese word 'YŪBI', which is 'Gentle Beauty'. You will see images which reflect their individual styles (although no images are identified as to who took which - part of the fun is trying to second guess the originator). The whole book has a calmness, a serenity which aptly echoes the link with the principles of Haiku.
Working with Fotospeeds New Square Fine Art Papers
Many of us love making images in the square format. We either 'see' our photographs that way and compose for them in the field, often aided by the clever way many digital cameras these days allow us to display a square mask on the rear view screen. I love this feature and use it all the time on my Fuji X-Pro 2. Shooting in raw, I still have the option back in the studio to use the entire sensor area, but in the field it is so helpful to see the image on the screen cropped square. It makes composition so much easier. (If you shoot in jpeg, the file will be square and the data beyond the boundaries of the square is lost forever).
Sleeklens Landscape Plugin Review
I was contacted recently by sleeklens.com who asked me to put one of their plugin packs for Adobe Photoshop through its paces. They make plugins for all types of photography, particularly portraiture and architecture but they also have a pack designed for landscape photographers so it seemed appropriate to give that a try. I opted for the Photoshop version, although they do a Lightroom version of all their plugins too for those who like to keep their workflows just within the Lightroom environment.
Trying a different approach to rucksacks
Ask any photographer and they will tell you, you can never have enough camera bags. Or it might be that we can never find the perfect camera bag. I'm inclined to think that there is no single one bag that meets all our needs. I have different situations I go into with my camera and need a different bag for each. Recently, I found myself frustrated with a limitation placed upon us by camera bag manufacturers and so turned to a conventional rucksack manufacturer, Glasgow based company Trespass, for the solution.
I am writing this blog to apologise. I am apologising about not replying.
You see, almost eleven years ago, when I started teaching workshops I used to say to my students, “if you have got any questions after the workshop, just drop me an email” and this was fine. I enjoy helping people overcome problems they have with their photography, helping them select the right gear or giving some help on good locations to try, so it was no problem to get a couple of emails a month with questions and to answer them.
‘april, may, june and then july’ by Roj Whitelock
I was felt very privileged some months ago when approached by photographer Roj Whitlock to write a foreword for his photo-essay entitled 'april, may, june and then july'.
I had seen the images and Roj's moving writing for the project some months earlier, following the death of his father to cancer, Cyril Henry Whitelock, who lived to be 101 years old. Roa had used walks with his camera in local woodlands as an escape, a diversion, as therapy, as solace during the last months of his fathers life. The images reflect the rollercoaster of emotions and feelings of such a time, which any of us who have supported a friend or loved one through cancer (whatever the outcome) will know all too well. His words add a deep poignancy to the photographs.
‘Fragile’ by Valda Bailey
Before I start writing my review of 'Fragile' by Valda Bailey, I need to declare an interest. Valda is a good friend of mine. We teach workshops on alternative photography techniques for Light & Land and so it is very unlikely this review will be entirely unbiased, but I will try my best.
It is with a sense of pride that I opened this book when it arrived in the post from Triplekite Publishing. You see, I first met Valda on the 15th of August 2011. I can be very precise about that because she had booked me for a one to one - to learn about ICM (intentional camera movement) techniques, and in showing her some of those techniques that day I made an image which has become very popular for me - hence my ease of knowing the date, I just have to look at the raw file metadata. So, here we are, almost five years on, and Valda has gone from student of mine to co-workshop leader and has far surpassed me in her abilities with the camera in creating wonderful images. Indeed, here she has had a book published long before I am even considering such a thing.
New Dropbox Style Cloud Service I Am Trying – Sync
I have been looking for a more flexible and better priced service than Dropbox for a while. I think I have found it. It is called Sync. They give you 5GB of free cloud storage, which I am currently testing (and if you USE THIS LINK I think you will get an extra GB, so 6GB in total, and I will get 1GB for referring you - https://www.sync.com/?_sync_refer=de5f7b0 )
The paid service gives you 500GB for $49 a year and 2TB for $98 a year, which is very competitive and will allow me to store virtually all of my data, including all of my images on the service.
Edgelands – The Floods by Joseph Wright
Every now and then a photo book comes along which is a bit different, a bit special. Today was one of those days. I received my copy of Joseph Wrights 'Edgelands - The Floods'.
The book is different in several ways. Yes, the images are beautiful, but not in a classic landscape photography way. Joe has chosen o venture into those areas that surround the places we live, the edges and margins of our towns, cities and villages, which most of us tend to ignore or dismiss as ugly, unkempt. The abandoned scrublands, the borderlands or neglect. Some were once used, now left to their own devices. Others are places which have never quite fitted the needs of developers, being the wrong shape, in the wrong place, too wet or perhaps difficult to build on. Nature has no such qualms about these places. Nature quietly gets on with colonising them, plants growing, animals living quiet lives while we rush by.
How to Travel Light With Your Fuji Camera Gear
Airlines seem to be making it increasingly difficult for us to travel with our camera gear these days, especially on budget flights. Most of us want to keep our precious cameras and lenses with us in our carry-on bags and yet the size permitted for those bags continues to decrease, as does the amount of weight we are allowed to pack into them.
I have been packing today in readiness to co-lead a workshop tour with David Ward to the Hebridean island of Harris and Lewis. The carry on bag size for the flight to Stornorway is a paltry 40cm x 35cm x 18cm, not exceeding 6kg. Imagine packing a bag that size with a pro-DSLR and a set of lenses. Even if they would fit physically, I'm sure they would exceed the weight restriction.
Triplekite Books New Discovery Series
Its always a good day when a photography book is delivered at home. Today, three were delivered, making it a very good day. Triplekite Publishing have been hard at work producing the first three in what is planned to be an ongoing series of books under the ‘Discovery’ series.
The stated aim of this series from Triplekite is to produce a ‘cohesive representation of landscape photography’. The plan is to release three books a year, identical in size (240 x 240mm) and page count (48), each with 25 plates which, despite being smaller than Triplekite’s other photography books, will still be made to the same exacting production standards. The plan is to release a further three or four books in the series in 2016.
Printing With Fotospeed’s Panoramic Papers & Creating Custom Paper Templates in Lightroom
Fotospeed are the only fine art paper company I am aware of who provide us with custom made panoramic papers. I shoot a lot of panoramas in my work, both combining exposures in software (now a feature of Lightroom CC as well as Photoshop, a welcome development) and by cropping into a single image to a ratio which yields an image with the characteristic panoramic 'letterbox' format. I am not a lover of really wide angle lenses having grown tired of the distortion they produce. I prefer, when I want to show the wide sweep of the landscape, to reveal it in a panorama. (I know wide angle lenses can be used to inject drama into images, but again, I am finding myself moving towards quieter, less dramatic images in my work and so I have sold on my super wide lenses now due to lack of use.
Integrity & Generosity in Photography – Become a ‘Photographic Philanthropist’
It's late. I want to go to bed, but I feel I have to write this blog post. It is based on something that has been niggling at me a lot of late, and then a comment was posted on my Facebook page which finally moved me to write my thoughts down.
I was nominated for one of these 'Facebook Challenges' this week - I don't usually take them up, but in this instance I was asked very nicely by a photographer who I admire a great deal if I minded being nominated and since I had already been nominated by another photographer who I also greatly admire, I guessed it was time to give in. The first post went okay (the 'challenge involves posting an image a day for five days and nominating other photographers each day to do the same).
Adding Copyright Details to Files on Import to Lightroom
In January every year I update the metadata preset in Lightroom which embeds my copyright information into every file I import into my Lightroom catalogue,
This year I thought I would record a brief video to show how it was done, in case you might find it useful. Enjoy!
Hard Proofing Techniques – A Practical Example
Today I had a client order for one of Chris Friels prints (the image above) to prepare and thought it would make a good subject for a blog post on hard proofing techniques.
Chris's images can be very hard to print. He uses strong colours with low contrast and they look best printed on very matt paper. My paper of choice for most of his work is Fotospeeds superb Platinum Etching - a heavy-weight matt paper with a gentle texture which gives landscapes and many other types of images a beautiful feel and 'presence'. Matt papers do bring with them challenges though. The matt surface reduces the gamut of colours they can display and so it can often take some work to translate what you are seeing on your screen on to the paper, even with a fully colour managed workflow. You can check out Fotospeeds papers on their website HERE - they are a great company to deal with.
Autumn in Snowdonia – Trip Report
I have just returned from a three day trip to North Wales where I was running a workshop in the Snowdonia National Park. Our base was the fabulous Tan-Y-Foel guest house where we were cared for perfectly by owners Chris & Maria. (If you are planning a trip to Snowdonia I can highly recommend staying at Tan-Y-Foel, the location is breathtaking from its elevated position set away from the road in above a beech forested valley with views to the mountains. The rooms, food and service could not be better and being just outside of Betws-y-Coed it is in the perfect place to explore magnificent Snowdonia - have a look at their website, which will be updated in early 2015 - http://www.tyfhotel.co.uk ) Chris and Maria kindly reserved the whole property for us so we had it to ourselves and this meant we could choose breakfast time to fit with our sunrise shoots - perfection!
Visualisation, Pre-visualisation, Preparation and Pedantics
This post is the result of an interesting and stimulating Twitter debate this week and I felt it needed exploring in more than 140 characters.
The question was raised "do you (or should you) 'pre-visualise' your images of a location before you visit?" or something along those lines. This is a big question and I would just like to tackle it from a number of different perspectives.
What is DACS? and Why you should claim
There is a way for published photographers (and artists, poets and writers) to receive additional income from their work and I thought it might be useful to put a blog post together about it.
In the same way that the Performing Rights Society monitor radio stations, TV broadcasts, public events and music played in public places in order to make sure musicians are compensated when their work us played, there is a similar organisation in place for creatives whose work appears in print.
The Pool by Iain Sarjeant
From the first time I heard that Iains series, The Pool, was to be published by Triplekite, I was excited. I have followed Iains work for a few years now and The Pool series has become a favorite of mine.
I first came across the work on Iains website a year or two ago and was instantly entranced by its delicate beauty and simplicity. Iain is a full time professional photographer working out of Strathpeffer in Scotland. His work is often characterised by its keen observational quality. Iain is a man who walks around with his eyes wide open and seems to see things where many do not.
Seaworks 1998-2013 by Paul Kenny
I first became aware of a man, Paul Kenny, several years ago through an article in, I think, Outdoor Photography magazine. I read about a photographer who was visiting, annually, a small stone sheep pen by a beach on the west coast of Scotland. Here he camped for a week or two each year and photographed this sheep pen. The rocks, the lichen, the patterns, shapes and forms. The enclosure had been built no one really knows how many centuries or millennia previously, the rocks used were beautifully round, smooth and encrusted in lichen which grew painfully slowly over generations of mans existence, populating their own spherical worlds, forming continents and islands of life. I had never come across such devotion and application in a photographer before and he really made a deep impression on me.
Artisans – A new photo book supporting an excellent cause
I was delighted to receive my copy of a very limited edition photo book this week, 'Artisans' by photographer Tim Allen. This is his second book produced in support of the National Ankylosing Spondylitis Society who do great work for people suffering with that condition. Tim has been putting out teasers on Twitter for some months about the book so it was great to finally get my hands on my copy.
Should I sell my DSLR and buy a Fuji?
I am being asked this question by clients so often now (twice in the last 24 hours, for example), I think it is time to put the answer in a blog, to save me writing endless emails if nothing else :)
So many photographers are hearing the buzz around the Fuji system (and other mirror-less systems. Many of these others are excellent, but I am a Fuji user so will use Fuji as the basis for my answer, but you can substitute the system you are considering just as well). They are seeing the amazing images these cameras produce and looking enviously at the small camera bags and lighter tripods required.
My first experiences with Fotospeed papers & lessons learned about soft proofing
I have long used Ilford Gallerie Gold Fibre Silk as my paper of choice for my monochrome prints and Hahnemuhle 308 Photorag for most of my colour prints. I was happy with the Ilford, but the Hahnemuhle was causing me issues. Despite being a beautiful paper, with a lovely texture, it frequently got jammed in my Epson R2880 printer or picked up roller pinch marks. I also found, despite being air blown before printing, that it would shed fibres after printing, leaving white areas on the image. It is an expensive paper and these frustrations got the better of me.