Every now and then a photo book comes along which is a bit different, a bit special. Today was one of those days. I received my copy of Joseph Wrights ‘Edgelands – The Floods’.
The book is different in several ways. Yes, the images are beautiful, but not in a classic landscape photography way. Joe has chosen o venture into those areas that surround the places we live, the edges and margins of our towns, cities and villages, which most of us tend to ignore or dismiss as ugly, unkempt. The abandoned scrublands, the borderlands or neglect. Some were once used, now left to their own devices. Others are places which have never quite fitted the needs of developers, being the wrong shape, in the wrong place, too wet or perhaps difficult to build on. Nature has no such qualms about these places. Nature quietly gets on with colonising them, plants growing, animals living quiet lives while we rush by.
Joseph has ventured in and started to make sense of the chaos. He has discovered beauty in the confusion and documented this with his 10 x 8 large format camera. Then, he has taken the project in an interesting direction, printing the images at pretty much the same size as his film (8 x 10 inches) for this book. Imagine having a sensor in your camera that is 10 x 8 inches in size. Can you grasp the resolution and detail that would resolve? A 10 x 8 negative has to be seen to be believed and here they produce glorious prints. Joe has then gone on to learn, from none other than grand master John Blakemore, how to sequence the images and hand make them into a book. Joe has individually crafted and bound these books with his own hands. This is truly a craft process. Along the way he has had extensive mentoring from Eddie Ephramus who specialising in helping photographers who want to achieve their creative vision in print and it includes a foreword by Robbie Cowan which is an extract from a work of his based on these ‘edgelands’. The results are stunning.
I invested right at the beginning of the project (Joe ran this as a ‘Kickstarter’ style project to help raise the not inconsiderable funds required), in one of the very limited Collectors Editions, limited to just 30 copies. These came with a signed limited edition print from the project and the book itself enclosed in a beautiful linen covered hand made clam case with another inset image from the project. This inset image is unique to each clam case, so each collectors book becomes a unique item in itself. The collectors editions will never be released again. It is a beautiful thing to own. Seventy copies of the book alone are being made as a standard edition and some of these are still available (I am not sure at this time if any collectors editions are still available – if they are they will be in very short supply). You can read full details and purchase your copy HERE ON JOES WEBSITE.
I think the approach Joe has taken here, making a short run of a hand crafted photo book is a very interesting approach to self publishing. he had the pages produced commercially but hand crafted and assembled the book himself. I like the idea of the book being more of a craft object. It has a nice tactile feel and the hand made element ties in with the analogue approach of large format film photography. It provides another alternative to volume publishing for those looking to get their work before an audience, albeit a smaller one. I am drawn to the intimacy of it, to the deep involvement of the photographer, to the breadth of skills needed. I feel a greater engagement with the artist and the book becomes more of a treasure, an art object rather than being ‘just a book’ (although, never would I want to downplay just how valuable I feel books are). This becomes an object which bridges the gap between a fine wall print or painting and a volume run book. It takes a great investment of time, learning and passion from the photographer (and the team who has supported him) and this shows in the finished artefact. I am a big believer that art must have an artefact.
I have produced a brief video of my Collectors Edition to give you an idea of just how beautiful it is – please take a look.(and please forgive my very amateurish iPhone video skills).
One of my favourite photo spots is a strip of wet woodland near where I live, sandwiched between the park and the bypass, so this looks like my kind of photography. Looks beautiful – think I’ll order a copy!