Tag: pictures

Aurora Hunting in Norway, Trip Report, Day Two

aurora hunting day 2

Last night Tony and I took it in shifts to keep a watch on the skies and the aurora reports but sadly the auroral activity was extremely low and there was nothing to be seen here despite broken cloud. At least the group had a long nights unbroken sleep to get over jet lag.

We headed out after breakfast into great soft pink light (the image above was one I managed to grab from one of the mornings locations). The temperatures here were below freezing all day and are currently around minus 10 a few miles inland. Here on the coast they are a little higher at around minus 2 to 4 but the wind is rising so it feels much colder. No snow has fallen after yesterdays blizzards.

The group were getting used to working in such cold conditions. You soon learn not to let snow get onto your gear. For example, I dropped a body cap into the snow. It would have been crazy to put this on to the body of my camera. The snow melts in the bag then when the camera gets cold the snow then re-freezes causing damage or sticking the cap into place. One member of the group had her tripod head accidentally dropped in the snow. This quickly froze the ball head, which we had to defrost on location.

Keeping yourself warm is key too. As hands get cold it quickly becomes impossible to operate the camera, so, even though it slows down picture making, it is important to wear gloves (only removing them when necessary and putting them back on again as quickly as possible). Hats, gloves and warm coats are all very necessary. Decent boots here are very important. Not only do they need good grip for walking on compacted snow and ice but they also need to have good thermal barriers in the soles to help keep the feet warm when standing by the tripod for long periods. I am wearing North Face Chilkats and they are performing perfectly.

Fuji X-Pro 1, Handheld, 35mm f2 lens, ISO3200, f14, 1/17 sec

At these temperatures the cameras are working well. Batteries do drain more quickly but it is not so cold that this is becoming a real issue at this stage. It is also not so cold yet that we have to put our cameras in poly bags when returning them to the vans to stop condensation forming and refreezing. This becomes an issue when the temperature gets lower – closer to minus 20. Then it is vital to bag and seal the camera body and lenses in sealed poly bags when moving from outside into the van or a building. This helps stop condensation forming. The condensation is not too much of a problem until you take the gear back into the cold when it instantly re-freezes. This kills cameras and when on the front of lens elements will need to be scrapped off, much like scrapping ice off of a car windscreen. Not something you want to be doing with your beloved pro-lenses.

For those interested in how the Fuji X-Pro 1 is performing I have a few things to mention. It is interesting. I am finding the Canon 5D mk3 easier to use with gloves on and some of the scenes are so stunning I am feeling the need to use the bigger sensor. I have noticed the ‘function’ button gets a bit sticky in the cold when it drops very low (I have the button programmed to quickly change the ISO). I haven’t been using it for long periods so I can’t say battery performance has seen a noticeable drop in performance. The image quality continues to be superb.

As we haven’t seen the aurora yet, I can report on how it performs being pushed to capture that!

We covered three locations today. The first was an inland fjord (you can see an image from here at the top of this post). Ice was forming at the edge of the fjord and the pink light in the sky was beautifully subtle. From here we moved to a small frozen lake with a range of jagged mountains behind. The group worked on capturing the snow, ice, small silver birch tree with some stunning Alpen glow on the mountains behind. Our final location was another fjord, with a great jetty to use as foreground with rugged mountains and delicious silvery blue light. Great for a lengthened exposure just to flatten the water a little. My image is shown below. Once we had finished here (which included shooting a lovely fisherman’s hut full of textures and detail) we dived into a coffee shop for some well earned Lattes and chocolate brownies (well, its not all work on these trips, you know!).

Back at the hotel we are now resting in our rooms prior to our evening meal. On an aurora trip its important to use the afternoon darkness to sleep in case we spend the night out shooting the skies. Over the meal we will consult the space weather, cloud cover, and auroral activity reports to see if everything might come together in our favour. Who knows what the night holds. (23:30 update – sadly the cloud has rolled in and although the charts show a little auroral activity it is impossible to see it. Even with no activity we had planned to go out and shoot star trails but with heavy clouds, a rising and biting wind with heavy wind chill this was just pointless, so it is back to bed. There is always tomorrow).

“Sea Fever” – The New Book from David Baker

Sea Fever David Baker

"David Bakers - "Sea Fever" Cover

David Baker, or Milouvision as many of his online followers will know him, has been photographing and blogging for years (www.milouvision.com). Building his following and honing his skills with the camera, he has risen to real prominence over the last couple of years, first winning Outdoor Photography magazines “Outdoor Photographer of the Year 2012” title, followed by three successful exhibitions and the 2012 Landscape Photographer of the Year “Your View” category winner, culminating now in the publication of his first book, “Sea Fever”.

Published by Triplekite Publishing, Sea Fever is a collection of 26 of Davids stunning signature coastal wave images.

So, what are you to expect when you receive your copy of “Sea Fever”?

The first thing that will strike you is the stunning cover image, a taste of things to come. The image is one which was on display at the Masters of Vision exhibition at Southwell Minster ( http://mastersofvision.co.uk/david-baker/ ) this summer and it is a fitting image to lead us into the book. An image full of power and drama.


Inside, the foreword has been written in a beautiful alliterative style by accomplished landscape photographer, Pete Bridgwood. To quote Pete as he describes how David approaches his image making of the sea,

“He has a rare ability; to completely concentrate his creativity, to focus his intentions and develop a deep relationship with his subject…. it is immediately evident that this is no dalliance, no brief fling; this is an aching, impassioned love affair”

This gives an idea of the intensity and depth of the images that reveal themselves as we turn the pages. David also gives a brief introduction to his approach to making the series of images.


The book is printed in portrait format, an unusual choice for a book based mainly around landscape orientation images. However, the images that are shot in portrait orientation display well and then many of the landscape orientation images are displayed (by Dav Thomas, who has done a great job with the layout and design of the book) spread across two pages, often bleeding off of the edges to give the greatest impact. Others are often given wide margins, lots of ‘breathing room’ and this is pleasing to the eye. The fact that Triplekite have decided on such a generous page size means this all works well. Nothing feels cramped or stifled in any way. The images are the stars.

Davids “Sea Fever” images captured the imaginations of lovers of seascapes as soon as they began to appear. (and I have already seen a few ‘Sea Fever’ wannabes imitating the style! I suppose imitation is the sincerest form of flattery?). They have a power and transcendent beauty which seems to connect with all who have a love (and respect for) the sea. By slowing the shutter just a little he retains enough detail in the waves to show the power, movement and flow of the waves while softening the effect and merging the waves into the sky. There is no real, defined horizon in his images – they become almost ‘as one’. In fact, the skies are not playing ‘second fiddle’ to the waves but enhance and complement them perfectly, almost becoming part of the waves themselves.


Every image in the book is just beautiful. Some are full of stormy ominous power, others gentle light and gracious delicacy. There is not a weak image in the portfolio and I would love to have any of these on my walls at home. Each has a mesmerising quality to hold our interest for many years.


I had the opportunity to interview David a few days ago about the book and his work and thought you might enjoy his comments.

D: First of all, let me congratulate you on the publication of your first book, “Sea Fever”, I have seen an advance pdf copy and it looks stunning. How did you feel when you first saw the design?

DB: Many thanks! Yes, a great feeling to see the flow of images due to Dav’s design skills.

D: How did the book project come about?

DB: I was fortunate to be one of the exhibitors at Masters of Vision which opened in late July 2013 and during that weekend I met David Breen (Triplekite Publishing) and Dav Thomas. I knew of David’s photographic work and of course of Dav’s book. In early August David emailed suggesting a book based on the Sea Fever project part of which had been exhibited at MoV. A really good day!

D: How did you decide to focus on such a tight project as “Sea Fever”? Was it more difficult, do you think, than doing a retrospective on your work, or would that have been harder?

DB: I’ve held previous exhibitions which have been a selection of my favourite images and at the time of MoV I had just completed a show of the Ridge Trees project and was in the midst of Sea Fever so it seemed natural to show what I was passionate about.

D: How did you find the process of selecting the images for the book? Was the choice difficult? How did you go about narrowing down the selection?

DB: There wasn’t a huge selection anyway as I’m a ruthless editor. But for the book I provided the required number plus an extra 25% I think and then Dav undertook the skilful design.

D: Without giving away too many secrets can you give us an idea of how you make the “Sea Fever” style images? What kit do you use? Shutter speed etc?

DB: I experiment with a variety of shutter speeds and focal lengths whilst trying to look for relationships between the waves and ideally clouds. I aim to have at least a line of foreground or central wave across the frame. I try to take a painterly approach if that makes sense as I want the images to say this is how it feels to be at the shoreline with the battering wind full of salt, the spray, the thump of the waves, the sense of vulnerability. How can an hour at the shore be captured in an image?

D: How long have you been working on the “Sea Fever” project? How long did it take to perfect the style of the images?

DB: I was in the Outer Hebrides in March 2012. During my previous trip in February 2008, I had taken mostly long exposure shots (as during this time the B+W 10 stop filter featured in many a photoblogger’s work) but during March not one long exposure shot was made. Feeling a little ‘unsettled’ I started taking shots during the closing days of the trip to capture the sea’s power in a way I had not undertaken before.

The first image, Hebridean Sea III, was uploaded to my photoblog in late April 2012 and that was that. Nothing happened in terms of development of the project until August of that year when another image was processed. I hadn’t realised I had a potential project but something must have been percolating away as in March 2013 onwards I started experimenting in acquiring images to compliment Hebridean Sea III.

D: Do you like working on projects? Or do you prefer more random ways of working? If you prefer project working, what benefits do you see working that way?

DB: It’s only during the past couple of years that a project based approach has been developed. I worked up one called Ridge Trees which concentrated on the New Forest and was defined by three attributes – dawn, mist and geography. Whilst the structure of a project is appreciated, I’m not restricted to just that type of work.

D: Why the sea? What draws you to photographing it so intensely?

DB: Good question! I usually mumble something about energy, and change. It’s not something that I’ve nailed down yet, and I’m not sure I want to. I’m not a great deconstructor (in an image sense) although I written a little about this aspect in the book.

D: Have you always been interested in photography? What is your photographic ‘history’?

DB: At 15 I wanted to be an architect. My dad had introduced me to an architect client and despite the then (1978) 33% unemployment in the industry, I was keen on pursuing architecture as a career. Despite good grades, events didn’t entirely pan out as planned, and after dithering about a course at Salisbury Art College and flirting with a technical drawing apprenticeship, I joined the Civil Service. It’s fair to say that there’s been little creativity work-wise since. I’ve always had a great love of art (especially sculpture) so I guess the creative ‘urge’ has always been there albeit mostly dormant.

I started using a small compact digital camera in about 2003/04 documenting visits to stone circles, dolmens and standing stones. A friend subsequently talked about his new digital SLR and suggested that I also buy one, so in January 2005, trying to engage a creative aspect of myself, I also bought a 300D.

From a technical aspect, almost immediately I wondered what I had let myself in for. I started reading magazines, books (fortunately Southampton has an excellent library) and looking at other images in various exhibitions and photoblogs. In the spring of 2005, I began posting images on a web forum and as a consequence a photoblog was started in late 2005.

Why photography? It was accessible and there was an immense amount of support and inspiration from the photoblog community.

D: Who would you say was your first inspiration in photography? And who do you find inspirational now?

DB: Just after I started using a SLR, I saw a photograph in Outdoor Photography of a Hampshire beach at sunset by Guy Edwardes and the sea looked fantastic drawn over the shingle beach. The wave trails looked ethereal and a week or so later I attempted the same and that was that, I was caught and I’ve been a seascaper ever since. Current inspiration is from a wide variety of sources.

D: What does photography do for you? What do you get out of it that drives you to pursue it as a passion?

DB: I guess it’s the conduit for a creative aspect that must be present in myself.

D: Have you ever hit a creative block? If so, how do you get over it?

DB: I get very keen on my work and then very disappointed by it very rapidly. I then go off to make more images. And then the process starts again.

D: What camera equipment do you currently use?

DB: 5D2, 24-70 and 70-300 lenses, Lee filters, Gitzo tripod and a RRS ballhead. The camera, lenses and filters all fit in a Billingham bag. There’s no need to march huge distances for my work, and I’m (hopefully) finished with the days of rucksack wrestling against a rapidly incoming tide.

D: Is there a piece of kit you really couldn’t live without? A favourite piece of equipment?

DB: For years I used the Canon 17-40. Everything was at 17mm and hang the consequences. That used to be nailed to my 300D and then to the 5D. Now, I think the 70-300 zoom is used significantly more than ever. Almost everything is on the tripod too.

D: Is there any piece of equipment you lust after and would love to own?

DB: I was considering the Gitzo Ocean tripod.

D: I know you are a keen and active photoblogger and Twitter user. Why do you love photoblogging? What do you enjoy about Twitter and the photographic community on there?

DB: The immense amount of support and inspiration from the community plus the free exchange of ideas, links to work, exhibitions, and the occasional meet-up.

D: Would you describe yourself as a “Landscape/seascape Photographer” or do you enjoy other genres of photography?

DB: I’m a seascape/forest photographer really. I really like looking at the landscape big views plus the more intimate landscape compositions and also the very experimental ones. I also really like looking at street work (especially if there’s humour present).

D: What advice would you give to young or new photographers to help them make progress with their passion?

DB: Believe in the value of your talent and your images. Experiment, and have fun. If considering a project, make sure it’s personal to you, and choose a subject which will allow access to create the images you want. Think about the story and how the work will be shown – book, exhibition or blog.

D: What software do you use to process your images? Does much work go into processing the “Sea Fever” images?

DB: For ages (and ages…), I used RawShooter Essentials (which became Lightroom I think) as I loved the ease of use, and the mono images it could produce. During the last year I’ve used Canon DPP for the Raw files. I make no corrections in DPP aside from using the lens profiles and the auto-dust correction (the principal reason for moving from RSE). Everything else in undertaken in PS, and I use Bridge as a catalogue.

D: What is the URL of your website so readers can have a look at your work?

DB: milouvision.com (although some project highlights are also at dbphotographic.com).

D: So, finally David, what next? More “Sea Fever” images or is the project complete? Do you have other projects on the go? Any other plans?

DB: I’m not sure at present. It took a few Ridge Trees and Sea Fever images to realise I had the makings of a project so I’m sure something will present itself soon.


The soft back book itself is outsized at 410mm x 305mm and is being printed in Malta by the same high quality printers who printed Dav Thomas’s acclaimed “With Trees” book. The paper used for this book is 170 gsm Valletta Silk and it is being printed using the same Sublima 240 lps screen process as with Dav’s book which yielded spectacular print quality.

There will be two versions. For the serious collector there is a very limited edition of 50 which will be individually signed and numbered by David and comes complete with limited edition A3 print for £85. The standard edition is £25. The price excludes P&P of £8.50 (UK) or £23.50 (International). You can pre-order your copy HERE.


The attention to detail and print quality achieved for Dav’s book by Triplekite must inspire confidence that “Sea Fever” will look stunning when it arrives. (this review is based on seeing an advanced pdf copy, not a full print copy). David Breen and Dav Thomas seem to have started the company as they mean to continue. The fact they are both keen photographers first and have a passion for photography is reflected in the way they are putting the images ahead of profit. So many photography books are churned out by large publishing houses and treated much the same as cookery books and other books with pictures in. Often the paper and print quality is disappointing and doesn’t reflect well on the photographer whose work is often outstanding when seen in the flesh. With Triplekite the quality of the images comes first above everything, so the paper and print process choice has to be able to display the images at their very best. Attention to detail is seen at every step of the process, from the selection of the photographer and the images, to Dav’s design and layout right through printing and even into the packaging. It is a refreshing change to see a publisher who seems to care more about the photography than the bottom line.

I have a feeling many photographers around the world are going to beating down Triplekites door asking to be considered for their next book. But I also know Triplekite are putting their customers first by being very selective in those photographers work they choose to publish. Triplekite seem to have a tight focus on exactly where they are going with future publications to hold true to their vision for the company. This can be seen in the latest announcements that the next two “Portfolio” books will be by the wonderful Paul Kenny and Marc Wilson respectively. They have also announced a third series of books entitles “Land|Sea”, each of which will feature a small portfolio of work by five photographers carefully selected and which will build into a collectible library of great landscape work. 2014 Looks to be an exciting year for lovers of fine photography.


“Sea Fever” is the first in Triplekites new innovative “Portfolio” series, designed to be project based. Being focused on such a tight project with all of the images shot in a very similar style and with a common technique some may find they desire a greater variety of images, but that is not the purpose of this type of book. Its focus is its asset and it is a great example of how, as photographers, our work can get so much stronger if we focus on a tight themed project. While smaller and lower in cost, it will still adhere to Triplekites philosophy of making the images shine through large page sizes and superb print quality. These books are an ideal way to showcase the talent and work of some of the Worlds finest photographers. I can see the series becoming very collectable.

I, for one, pre-ordered the book as soon as I heard it was to feature Davids “Sea Fever” series and look forward to getting my signed copy and print. Having now seen the pdf proof I am even more excited. A firm delivery date is yet to be announced but is expected to be around mid to late November.

For lovers of fine land and seascape photography and especially if you love really fine photography books this is another ‘must-have’ (and what a great gift, even for non-photographers) from Triplekite. Order your copy HERE

My back up strategy

back up

Lakeland River

It has been a while since I blogged about my backing up strategy and I have made some changes to make my systems more secure, so now seems a good time to update you on how I protect my data.
I regularly have friends and customers who tell me stories of how they have lost prized images, even their entire library, due to equipment failure or theft of their computers which they didn’t have backed up. They go pale as they speak about it. Some even break down and cry 🙂
If your system experienced a complete failure this minute, how much would you lose?
If your computer and the drives with it in the same room were stolen today, how much data would you lose?
How would that make you feel. Your wedding pictures. The pictures of your children growing up. The images of your loved ones who have passed away. Those landscapes you toiled so hard to capture. Need I go on.
Sobering questions, aren’t they?
It is crucial to understand that EVERY hard drive WILL fail. It is just a question of when, and they often don’t give any notice. One minute you are happily using your computer and the next you are looking at a blank screen. As with so many things in life, we think it won’t happen to us or we think we have time to back up next week. You just have to decide how much data you are prepared to lose and tailor your system to protect you to this level.
I had a brand new drive in a brand new computer fail completely just three days after buying it. I had just finished setting the system up with all of my programs, settings and data. I had also set up my back up solution and so was fully protected.
The issue is many people feel that backing up is a nuisance. They feel they don’t have time. Often, it is also because they don’t really understand how to do it, or how to set up a good reliable system which is easy to run.
I can’t afford to lose my data. As a freelance photographer my images are my business. If I lose them, I don’t pay my bills. They cannot be replaced so it that is a great motivation to have a good system in place.
So how am I organised and how do I make it easy to have a bullet proof back up solution working for me?
My first layer of protection
When in the field, especially on longer trips, I copy all my compact flash cards to my iPad. I don’t format the compact flash cards until the images are copied to my computer back at the studio. This gives me two copies of my images while I am away from home. I keep the compact flash cards in a holder with me and the iPad is left hidden in my vehicle. I may also copy the images on to my Mac Book Pro while I am away which then gives me three copies in the field.
My second layer of protection
My main computer is a 27 inch iMac with a 1tb  drive. I have a 1tb drive attached (I recommend this one – http://tinyurl.com/bs4vhcm – the WD drives have always performed perfectly for me). This is set up to use Apples Time Machine back up system which is built into all Macs. It has saved my life several times and is so easy to use. Just select the drive to back up to and the system backs up every hour. It deletes the oldest back ups once the drive is full. The most data you can lose is one hours work. Frustrating, yes, but not critical.
Layer three
I also have another two 1tb drives which are kept onsite, but away from the computer (in the hope that if we have a burglary and the computer and back drive which sits next to it are stolen, then this drive may be missed).
To copy files to this from my iMac I use a great easy piece of software called Superduper. You will find it HERE
(if you are a Windows user I would highly recommend using Microsofts free SyncToy which does a very similar job and is also so simple to use. You will find it HERE. Please note, I stopped using Windows a couple of years ago so this may not work with the latest versions of Windows or other solutions may now be available which I am unaware of).
This makes a carbon copy of your entire hard drive. The first back up you run with it takes a while as it is copying every file (as does Time Machine) but subsequent backups are much faster as only files you have added, deleted or changed are updated. This system does not hold on to old copies of files, so you can’t go back to a file which was deleted weeks ago in error  to restore it, like you can with Time Machine. The drive is always a copy of your computers hard drive on the last day you backed up with it.
Superduper can be set to run on a schedule so you don’t have to do anything as long as the back up drive is connected to the computer, or it can be run manually at a time you choose (this is how I use it as my drive is hidden and not permanently connected to the computer).
It is also fully bootable so in the event of a hard drive failure you can boot your computer using it and get working straight away. If you want to have several carbon copy drives you can. You give each drive a name and Superduper remembers each drive.
When I am on the road I take one of the Superduper drives with me. This gives me an offsite backup and it also means I have all my files with me so I can work on the road. If I do this I just have to keep a copy of the changed/added files and update my iMac with them when I get home.

Mist in the Woods

The final layer
The last layer of protection is the one which gets neglected by most people because it is the most difficult to manage. This is the offsite backup.
This protects you in case of theft or the destruction of your property by flood, fire and so on. I wonder how many people have lost all their files this week in the floods?
My old system, which was flawed, but better than nothing, was to have a third 1tb drive backed up to using Superduper which I then stored at my parents home. This is fine if you remember/bother to go and get it and update it regularly (and to be honest, this needs to be weekly as a minimum). I just didn’t do this often enough, it becomes too much hassle.
Prior to this year my new solution would not have been feasible as my broadband speeds were just too low. I now am blessed with BT Infinity 2 and this makes backing up to a Cloud service easy.
There are lots of options out there but most are very expensive for large amounts of data. They are really designed for smaller amounts of file storage and also geared for you to be uploading and downloading the files on a regular basis.
Amazon Glacier
Fortunately, Amazon has identified this issue and set up a brilliant new service to remedy this. It is called “Glacier”. Anyone can use it, from home users to world-wide corporations and it is purely designed to store large amounts of data you will probably never need again… unless something goes badly wrong with your primary layers of protection which I have described above. You can find it HERE
The basic things to know are;

  • The cost is very, very low, just $0.01 per gigabyte of data per month for storage, so if you have 200gb of data with them it costs just $24 a year. Compare that with the true cost of buying external drives and then keeping one off site and up to date!
  • There is a fee if you delete backups within 3 months of uploading then
  • There is a fee to download data, although you do get a free allowance per month, but as this is designed for long term storage (in fact, its for data you hope you will never have to download) it is not a major issue
  • Data that is uploaded takes several hours to be processed by Glacier and it takes several hours to start downloading back to you if you need it – this is how they keep the costs so low – so don’t view it like you do Dropbox, for example.
  • You need to break your data down into zip files that are no bigger than 4gb and this is a hassle when you first get set up.
  • You can’t update a backup zip file once it is uploaded. If you make changes to files at your end you need to upload them again and delete the old one if necessary. For this reason I am using it for archives. I back up the files I am working on all the time to Dropbox (or Skydrive etc) Sign up for Dropbox HERE
  • Glacier have yet to release a program to handle the uploading but two free programs are available from others. The Windows one is Fastglacier and the Mac client is Simpleglacier. I use Arc back up which is a paid for program.
  • Your data is encrypted using 128bit encryption keys – so extremely secure. The server farms also sit behind very secure firewall systems.
  • Glacier claims 99.999999999999% protection. The server farms are held in extremely secure bunkers and there are several of them around the planet. Your data will exist in three locations in at least two countries. So you are pretty much protected form everything except Armageddon, when, lets face it, the last thing we will be bothered about are our files 🙂

I am currently going through the tedious process of zipping all of my data (images and files) into 4gb batches and doing an upload overnight each night. I can upload about 60gb a night with my connection. I have done several years worth of files and just have 2010 to today still to do. I have just got my head down and started working through this methodically. It has also helped me delete over 200gb of useless and duplicated data which was clogging up my system – a really nice feeling having a spring clean 🙂
Once it is all there, plan to upload weekly the latest images although it may end up being monthly. I am expecting to have around 600gb of zipped data on Glacier by the end of 2012 with a cost to me of about £3.75 a month at current rates. I think that is exceptional value.
This all might sound like the ravings of an obsessive compulsive with a disaster fixation but I have my livelihood to think about and I hold work which is critical to my customers too. You can go as far as you feel you need to in order to get the level of protection you need.
As a minimum get Time Machine working for you if you are a Mac user, or something similar if you are a Windows user. I also recommend getting in to the habit of backing up each days work at the end of the day – let it run overnight. in reality, on most days, if you do it daily, an incremental backup will run in a few minutes. As a minimum get into the habit of having a ‘Backup Friday’ or similar so at least your weeks work is protected.
I highly recommend you also get set up with Dropbox – you can sign up here – as this will give you 2gb of free storage accessible world wide for regularly used files and for sharing files with friends and family. You can also access it from your iPhone, Smartphone and iPad etc It is brilliant and I use it daily.
Alternatively you can have the thrill of being a gambler and live life on the edge and not bother backing up at all (or have that back up you did months or years ago and always mean to get around to updating, maybe next week when your not so busy). Enjoy the ride! Me, as you can see, I am more a belt and braces kind of guy who likes to sleep well at night.