Dark Light III – Taken handheld from Rannoch Moor.
I have written some time ago about my thoughts on working with what you’ve got. Basically, the premise of my mantra is, if all you have is a 50mm lens, then shoot with it. If its raining, rather than giving you he technicolor sunrise you envisioned, shoot the rain. You get the idea.
Recently, on the day I broke my leg in fact, I had to work to my own maxim.
I was leading a workshop up in the snows on Rannoch Moor and Glencoe, in Scotland. On the first day of the trip, just an hour into shooting my tripod head broke. It broke in a major way (and kudos to Manfrotto for replacing it for me straight away once they saw what had happened).
I tweeted about the failure and many of my followers replied with sympathy (and we all like a bit of sympathy). Several said how angry I must be feeling and how it would ruin my trip. I could understand their point of view but I just didn’t see it that way.
Kit fails. You have to get used to that which is why I have back ups or alternatives with me for virtually everything in my bag, including tripods and heads. Except this time. This time I was car sharing and to save space the one thing I hadn’t bought with me was my spare tripod & head. Ironic, huh?
Getting angry about it would have just spoiled the trip, it wouldn’t have actually changed anything. Here I was in the most stunning of locations with amazing light. I was going to work with what I had.
So this meant shooting landscapes, often in low light, handheld.
So how did I approach this? I was using the Canon 5d mk2 and was happy taking the ISO up to 800 (and in very low light I went to 1600 at times – whatever it took to get the shot). I also went wide with my aperture. So I abandoned my usual preference for f11 (or f16) most of the time and went wider, right down to f2.8 at times in low light, but often working at f8, all with a view to keeping the shutter speed high enough to get sharp images.
If this hadn’t been possible I would have gone over to shooting ICM (intentional camera movement) images. Again, working with what I had.
Another approach I adopted was to shoot in burst mode. Firing three frames at least for each image to give me a better chance one would be sharp. It meant I came away with nearly 900 frames fom the day, but it did increase my success rate.
I also moved to auto focus. On a tripod, I use manual focus in Live View mode which is perfect, but hand holding it just isn’t practical to focus manually all day. There is no benefit in it, in fact, auto focus is perfect for just this situation. I use centre point focusing so I have complete control over what I am focused on. So I turn on just the centre focus point. I then point the centre of the lens very precisely at what I want to be my focus point, press the shutter button half way to lock focus and hold it there, reframe and then complete the shot. You can also use the Focus Lock button on the back of the camera in the same way.
I found I got the best results using my longer lenses, especially the 70-200 f2.8 IS L zoom. This stayed on most of the day. The image stabilisation helped with sharpness and I followed the basic rule of thumb that you need to keep your shutter speed faster than your focal length so I tried to stay above 1/200 sec all day, using ISO and aperture to do that.
Another advantage of using the 70-200mm (and the 24-70 f2.8 L which I also used on the day) was they both have long full tube shaped lens hoods. On the day, blizzards kept blowing through and these hoods really helped to keep snow off the front element of the lens.
When I came to review the images later (and trust me, I had plenty of time to review them, lying in my hospital bed) I realised that broken tripod head had done me a favor.
I had an extraordinarily high “hit rate” for successful images on the day. I took many more that I was happy with than I normally would. I found I was able to react really quickly to the fast changing light up there. As the blizzards were blowing through we had amazing gaps in the clouds with shafts of light and wonderful cloud shapes. On a tripod I would have been faffing about and couldn’t have got half the images I did.
I also would have been shooting much wider lenses, 45mm or 24mm, out of habit and on reflection, images at those focal lengths wouldn’t have had the impact I got from the 70-200 lens. (For my wider shots with the long lens I shot several panorama sequences, all handheld, and Photoshop stitches them perfectly. It’s amazing).
I would also have been more likely to have been trying to use my Lee filters. This would have slowed me down even more and with the falling snow caused frustration and even more lost shots.
Yes, that tripod head did me a big favor. Of course, looking at it another way. If it hadn’t failed I would have had it with me later when crossing the river and would have been using it to steady myself so maybe I wouldn’t have fallen and broken my leg… But let’s not speculate.
So, the lesson. If something fails in the field or you forget something, work with what you have. Think laterally. Work around the problem. Find a solution. It might feel uncomfortable, but just do the best you can. Getting angry with yourself or your kit, or giving up and going home don’t help, and you never know, like this occasion, you might just produce something unexpected by approaching the problem with a positive frame of mind.
If its something really bad like leaving all your batteries or memory cards at home, then use your mobile phone camera. If that’s back in the car, then just sit back and enjoy the sunrise. There will always be another.
Dark Light II – Taken handheld at the mouth of Glencoe