Tag: tony

Aurora Hunting in Norway, Trip Report, Day Two

aurora hunting day 2

Last night Tony and I took it in shifts to keep a watch on the skies and the aurora reports but sadly the auroral activity was extremely low and there was nothing to be seen here despite broken cloud. At least the group had a long nights unbroken sleep to get over jet lag.

We headed out after breakfast into great soft pink light (the image above was one I managed to grab from one of the mornings locations). The temperatures here were below freezing all day and are currently around minus 10 a few miles inland. Here on the coast they are a little higher at around minus 2 to 4 but the wind is rising so it feels much colder. No snow has fallen after yesterdays blizzards.

The group were getting used to working in such cold conditions. You soon learn not to let snow get onto your gear. For example, I dropped a body cap into the snow. It would have been crazy to put this on to the body of my camera. The snow melts in the bag then when the camera gets cold the snow then re-freezes causing damage or sticking the cap into place. One member of the group had her tripod head accidentally dropped in the snow. This quickly froze the ball head, which we had to defrost on location.

Keeping yourself warm is key too. As hands get cold it quickly becomes impossible to operate the camera, so, even though it slows down picture making, it is important to wear gloves (only removing them when necessary and putting them back on again as quickly as possible). Hats, gloves and warm coats are all very necessary. Decent boots here are very important. Not only do they need good grip for walking on compacted snow and ice but they also need to have good thermal barriers in the soles to help keep the feet warm when standing by the tripod for long periods. I am wearing North Face Chilkats and they are performing perfectly.

Fuji X-Pro 1, Handheld, 35mm f2 lens, ISO3200, f14, 1/17 sec

At these temperatures the cameras are working well. Batteries do drain more quickly but it is not so cold that this is becoming a real issue at this stage. It is also not so cold yet that we have to put our cameras in poly bags when returning them to the vans to stop condensation forming and refreezing. This becomes an issue when the temperature gets lower – closer to minus 20. Then it is vital to bag and seal the camera body and lenses in sealed poly bags when moving from outside into the van or a building. This helps stop condensation forming. The condensation is not too much of a problem until you take the gear back into the cold when it instantly re-freezes. This kills cameras and when on the front of lens elements will need to be scrapped off, much like scrapping ice off of a car windscreen. Not something you want to be doing with your beloved pro-lenses.

For those interested in how the Fuji X-Pro 1 is performing I have a few things to mention. It is interesting. I am finding the Canon 5D mk3 easier to use with gloves on and some of the scenes are so stunning I am feeling the need to use the bigger sensor. I have noticed the ‘function’ button gets a bit sticky in the cold when it drops very low (I have the button programmed to quickly change the ISO). I haven’t been using it for long periods so I can’t say battery performance has seen a noticeable drop in performance. The image quality continues to be superb.

As we haven’t seen the aurora yet, I can report on how it performs being pushed to capture that!

We covered three locations today. The first was an inland fjord (you can see an image from here at the top of this post). Ice was forming at the edge of the fjord and the pink light in the sky was beautifully subtle. From here we moved to a small frozen lake with a range of jagged mountains behind. The group worked on capturing the snow, ice, small silver birch tree with some stunning Alpen glow on the mountains behind. Our final location was another fjord, with a great jetty to use as foreground with rugged mountains and delicious silvery blue light. Great for a lengthened exposure just to flatten the water a little. My image is shown below. Once we had finished here (which included shooting a lovely fisherman’s hut full of textures and detail) we dived into a coffee shop for some well earned Lattes and chocolate brownies (well, its not all work on these trips, you know!).

Back at the hotel we are now resting in our rooms prior to our evening meal. On an aurora trip its important to use the afternoon darkness to sleep in case we spend the night out shooting the skies. Over the meal we will consult the space weather, cloud cover, and auroral activity reports to see if everything might come together in our favour. Who knows what the night holds. (23:30 update – sadly the cloud has rolled in and although the charts show a little auroral activity it is impossible to see it. Even with no activity we had planned to go out and shoot star trails but with heavy clouds, a rising and biting wind with heavy wind chill this was just pointless, so it is back to bed. There is always tomorrow).

Exclusive First Interview with Landscape Photographer of the Year Winner 2013 Tony Bennett

LPOTY 2013 Tony Bennett

Mist and Reflections - The winning image by Tony Bennett in the Take-a-View Landscape Photographer of the Year competition 2013

After a long and nail biting wait wait for the photographers who had images shortlisted in this years Landscape Photographer of the Year competition the announcement was made at the weekend that Derby based photographer, Tony Bennett had won the overall prize with his image “Mist and Reflections” (above). I was especially delighted for Tony as I know him as a customer who has been on my workshops (although I take absolutely no credit for his win. Tony is a long established photographer who has been making images for many years).

For many landscape photographers in the UK, the LPOTY competition is the “Holy Grail” of photography competitions and many aspire to have an image feature in the book which showcases the successful photographs, published by the AA and available here on Amazon To have a picture in the book is quite something considering around 20,000 images are entered each year and just a couple of hundred at most feature in the book. To have an image Highly Commended, receive a judges choice or to win a category is an even higher honour. Many must be very disappointed each year.

Last years competition was sadly marred by controversy over the originally selected winning image which had to be disqualified for excessive manipulation. This year, with a new Technical Director, Tim Parkin, addressing the selection and checking process hopes are high that the standard of images in the book and subsequent exhibition at the National Theatre in London starting in December (Free to attend and a must see event) will be higher than ever. From what I have seen of the images which have received awards, the standard does seem very good indeed. There are some truly outstanding images already revealed and this has whetted the appetite for the book

I got in touch with Tony as soon as I found out about his win and was delighted that he agreed to give me an exclusive interview for you to enjoy here, along with his winning image and some other images from his portfolio. I hope you will enjoy visiting his new website too. But first, here is the interview I conducted just yesterday with Tony.

D: First of all, let me congratulate you on your wonderful success in winning LPOTY 2013. Your image is stunning and a deserved winner. How did you feel when you heard you had won?

T: I was totally overwhelmed. Charlie Waite phoned me whilst I was in the car and the next mile passed as a blur. It was beyond my most optimistic hope. It took several days for the realisation to dawn upon me that i had actually won. I knew my image was good, but being good is not enough; you have to hope that the judges not only think it is good, but the best. That is the difficult part. And I knew that many very good photographers had entered the competition with some truly excelllent images.The competition was fierce.

D: Can you describe the morning when you made the image?

T:That morning was just magical; one of those mornings that happen so infrequently but are always remembered. With a friend, Sarah, we left the hotel early and raced to the lake side. The dawn was just beginning to break. We set up our tripods at the water’s edge and for the next hour and a half, just captured as many images of the ever-changing scene as we could. Did I say it was magical? It was. We eventually had to get back to the hotel for a late breakfast, but by that time the real mood of the scene had changed to mere normality, the mist had virtually gone, the sun was up and the lake surface was disturbed – no longer the glassy mirror it had been.

D: Have you entered LPOTY before (and if so, had any previous successes) or was this your first time?

T: No. This was my first time.

D: Why do you think entering competitions like LPOTY is a good thing for photographers and photography?

T: These competitions offer a challenge to photographers to produce their very best work. All too often, our images stay on the hard drive and don’t get the finishing attention they should. When you enter a competition, you owe it to yourself to offer the very best you can. This can take time and effort, but sometimes, as in my case, it proved worth every effort, including that early morning start.

D: Have you always been interested in photography? What is your photographic ‘history’?

T: I have been interested in photography since my 20’s. (I am now well retired!). I have spent many hours in the darkroom trying to produce the ‘perfect’ B&W print, without success! I have also done some wedding and industrial photography back in the film days, but my first love has always been landscape images. Up to this time, I have only entered club competitions and our local N&EMPF annual competitions. This is the first ‘real’ external competition that involved a prizes. (memo to self: must enter more!)

D: who would you say was your first inspiration in photography? And who do you find inspirational now?

T: I can’t remember any one initial inspiration that has driven my photography. Today, undoubtably, Sebastiao Salgado i find truly inspirational.

D: What does photography do for you? What do you get out of it that drives you to pursue it as a passion?

T: I love the great outdoors and capturing beautiful images.

D: What camera equipment do you currently use?

T: I currently use a Nikon D700 with the 16-35mm lens, and the 24-120mm lens. For the winning image I used my 70-200mm lens; that lens trio, plus an old macro lens, covers all my photographic needs. Recently I have bought an Olympus EM-5 and found it to be very useful on a recent trip to Venice on the hottest day of 2013! It was light and easy to carry and produces pretty decent images that can be enlarged to about A3 size.

D: Is there a piece of kit you really couldn’t live without? A favourite piece of equipment?

T: Strangely, it is my very sturdy and stable tripod.

D: Is there any piece of equipment you lust after and would love to own?

T: I would love to have a Nikkor 24mm tilt shift lens.

D: I know you are a keen and active member of the Derby City Photographic Club. What do you enjoy about being part of a photography club?

T: I enjoy club photography for the personal friendships I have made and my friends’ support for my photography. (They are always there with honest criticism!) I also relish the challenges the competitions offer. Our Club is a great social as well as a photographic club. We have excellent speakers who challenge, stimulate and entertain.

D: Would you describe yourself as a “Landscape Photographer” or do you enjoy other genres of photography?

T: I have done studio portraiture, and wedding photography (many years ago). I like to think of myself as a landscape photographer. Perhaps I can, now!

D: What advice would you give to young or new photographers to help them make progress with their passion?

T: Join a camera club and GET INVOLVED. Don’t just turn up, enjoy the proceedings, then go home. You only get out of any activity in proportion to what you are prepared to contribute.

D: What software do you use to process your images?

T: I use Lightroom primarily and use Photoshop for any post processing that can’t be done in Lightroom. Topaz plugins are very useful to extend the scope of LR and PS. I also use Photomatix Pro for HDR images and Helicon Focus for focus stacking of macro shots.

D: I see you have a new website, Tony. For those who are keen to see your work, what is the URL?

T: www.inspirational-images.com (Don’t forget the hyphen). It is my first website, put together in rather a hurry in view of my competition win. It is still a bit clunky, so please excuse that. It will be added to and improved as time goes on.

D: So, finally Tony, what are your plans now you have won the competition? And do you have any plans for spending your prize money?

T: The last few days have been rather hectic, but eventually, I guess, things will return to normal. I have no plans to spend the prize money at the moment. When things settle down I think I might just treat myself to a new lens, or camera, even.

D: Thank you for your time in being interviewed, Tony, especially as I know you are suddenly in great demand. I am sure my readers join with me in wishing you well and we hope you enjoy all the exposure that comes from your win.

Here are some more of Tony’s images and you can see more of his work at his website, www.inspirational-images.com You are also able to buy prints of his winning image.