Tag: usability

First Impressions of the Fuji X Pro 1 – A Day on the Streets

first thoughts

and, no, this is not the Fuji X Pro 1, but a shot I took with it 🙂

I have taken the plunge and bought a second hand Fuji X Pro 1. Why? A number of reasons. I needed a smaller camera system for some trips that could produce high quality commercial images but without the weight and bulk of my DSLR system. I had also had a chance to use the X Pro and it’s sibling the X100sa nd both had blown me away both in terms of usability and in the ‘filmic’ quality of the images the sensor and lenses produce. I also hold my hands up and unashamedly admit to being seduced by the beautiful retro styling and the superb build quality of the Fuji’s. I have some workshop ideas for the camera too, so there were commercial considerations in my mind also.

As I bought second hand I didn’t have a choice of lenses. The kit I bought came with the 35mm f1.4 prime (which I would have chosen even if I was buying new) and the 18-55mm zoom lens which I probably wouldn’t have gone for, rather erring towards a set of primes. However, the zoom is by no means a ‘kit lens’, this is a full on, high quality piece of glass which is solidly made and performs incredibly well. So I may well hold on to it. Only time will tell.

 

I have had the camera just three days and today was the first real outing for it. So my comments here are based purely on this first days shooting and my feelings may modify with time. I am writing this on the train home so I have only seen the images on the back of the camera, and we all know how deceptive camera monitors can be! I will review the images when I get home to add some to this post and may have to add some paragraphs once I have seen the images full size.

But that aside, what are my initial thoughts on the X Pro?

Let’s look at the camera from a number of angles. Remember, I have been doing fast moving hand held street photography with it today, so my comments are based on this. I will blog about how it performs as a landscape camera once I have used it for that purpose.

So, firstly, what is it like ‘in the hand’? It is not a compact camera. With one of the Fuji lenses attached it has some weight but is quite usable one handed. I have the extended grip fitted (this is not a battery grip but it just makes the grip for the right hand bigger and more comfortable, especially if you have big hands – it costs about £75 as an extra). I also have fitted a leather wrist strap which I am delighted with. I can let go of the camera if necessary knowing it is secure on my wrist. I much prefer this to a neck strap. 

 

I also fitted a ‘thumbs up’ which is a small £5.99 accessory which slides into the hot shoe and provides an anchor for your thumb. It is designed to aid stability when shooting one handed (as street photographers often do). I have found these very useful on other cameras but today, on the larger X Pro, I found the distance from the right hand edge of the camera to the Thumbs Up was too large. I just didn’t find my thumb naturally sat in the groove and so I can see me removing it as unnecessary for me.(an overnight afterthought – I may try removing the hand grip and seeing if I prefer using the camera with the Thumbs Up and without the grip as removing the grip moves your thumb closer to the Thumbs Up. It also reduces the bulk of the camera somewhat.)

 

I did find my thumb kept activating the Quick Menu button inadvertently as it is placed right where the heel of my hand and my thumb naturally rest on the camera. This is not a major issue, but as I lifted the camera to my eye I had to press the shutter button half way to clear them I to see my shot which slowed me down a bit – a disadvantage when street shooting, without a doubt.

 

All of the controls are beautifully placed and you soon find you can adjust just about all the settings without taking the camera away from your eye. This is aided by the very sophisticated electronic viewfinder (EVF) which shows the menus as you access them through the eyepiece just as if you were looking at the rear screen. It also shows you your last shot, which is a nice feature too.

 

You can flick to the optical viewfinder (OVF) and this shows you a wider view than the lens sees, which many street photographers love. They can see people before they enter the frame and antipate when to fire the shutter. However, you have to get used to the fact you are not looking through the lens when you do this and the framing is slightly different to what the lens sees. You can still overlay technical information, like shutter speed and aperture etc into the OVF which is very useful.

 

The aspect ratio of the sensor is the same a s a full frame sensor, 3:2, but the sensor is not full frame. It is smaller. How’re the image quality is reputed to be amazing at 16mp and capable of exhibition quality prints at A3+ and above. Pete Bridgwood has exhibited prints from his X Pro to great acclaim. (Petebridgwood.com)

Other aspect ratios can be set including my beloved 1:1 as well as vararious rectangular ratios including panoramic modes. The raw files will always be imported at full size, no matter what aspect ratio y select but Jpegs will maintain the ratio you choose. This applies to the film simulation modes Fuji have built into the camera too. So you can shoot as if using Velvia, Astia or other film types along with some gorgeous mono styles utilising colour filters. I particularly like the mono mode with the red filter applied. In orders o maintain what I see on the monitor while maintaining the greatest flexibility with my files I have set the camera to shoot in fine JPEG and raw. Thus I can refer to the JPEG to see what I saw on the camera screen and use the JPEG if the file size etc suffices of my needs or use it as a reference to convert the raw to mimic that look back in the digital darkroom.

Another nice feature, shown to me today by Tim Allen, ( http://www.timallenphoto.co.uk/ ) is you can, in camera, take any raw file and apply any of the film or crop effects and save a copy as a JPEG. We quite enjoyed playing with this, taking shots we liked and experimenting with different versions in camera. The raw file remans untouched, of course, and you will have the various JPEG versions when you gets home.

 

You can set seven custom presets on the Fuji. I have used these straight away and found myself flipping between them all the time today. I programmed in various mono settings at different ISO settings etc and also a couple of Astia settings as these are my favorites already. It saved me messing about in menus and I could quickly grab the set up I needed for a particular set of images.

If you are a DSLR user you have to change the way you use the camera. Firstly, the autofocus is much slower than a DSLR, but apparently more accurate (I can’t verify or deny this yet, it’s what I have read). The autofocus works differently. Whereas with a DSLR we are used to locking on to high contrast areas, points where light and dark areas touch, with cameras like the Fuji this is exactly what you don’t want to do. The focus works best when aimed at surfaces with texture. This takes some getting used to, but is very effective once you do. The fact the focusing is slower is just something we have to accept for now. Fuji have issued several firmware updates (and it is easy to update the firmware for your body and each of your lenses, and ought to be done to get the very best from your system) and these have, apparently, improved things, but it is still slower and less responsive than a DSLR.

 

Now let’s talk battery life. I was surprised at how quickly the X Pro eats batteries. I am used to a Canon 5D mk3 which can go all day on one battery, two at most. I burned through two and run out of power nearly tw hours before my time to head home had come. I could have done with at least one more battery, probably two to be on the safe side. Now, I was shooting continuously, using the screen, and working the camera really hard. Nonetheless, it is obvious this is a power hungry beast. I will be ordering two more batteries when I get home. One other things about the batteries, they get to the point where they show red, quarter remaining then all of a sudden the camera just shuts down. The first part of the battery discharge gauge takes some time to fall then the last half goes really fast. Beware. It’s like a car with a. Fuel gauge that says full for ages then drops like a stone!

 

I really enjoyed using the camera. It is not tiring in the hand, it’s black body is unobtrusive and the 35mm lens is exquisite. I have a feeling more primes will be in the offing. There is a 56mm f1.2 due in January which sounds very nice indeed.

The camera was a dream to carry all day, with a spare lens and filters in my bag. It was so liberating not to have my big rucksack with all the DSLR kit. Will it replace my DSLR? I doubt it, but I am no ruling it out. I wil see what the image quality is like. I will see how it performs as a landscape camera from a usability point of view. I am not wedded to the DSLR by any means. If the Fuji proves it’s worth and can produce the quantity and size of files I need, I see no reason to carry on with the big DSLR kit. However, if it falls short, I am happy to run two systems and use whichever suits the job at hand ( but I will be reaching for the Fuji as often as possible due to its lightness and portability).

If you are considering the Fuji X Pro 1 then you really ought to be take a very close look at the X E-1 too (and the XE-2 which is rumoured to be released any day now). It takes all the same lenses. The sensor and many other specs are identical but it is smaller and lighter and may well be a wiser choice for you. Take a close look, see what you think.

 

I am excited to get home tonight and look at the images I have. Let’s hope they live up to my expectations.

(Added the day after) I have now had a chance to look at my images. first things first. I need to work on my skills as a street photographer!  I can see I missed some opportunities, sometimes by a fraction of a second. I am going to have to concentrate harder when doing this type of photography. I also have some images I am moderately happy with, especially as this was my first day out with a new camera I was totally unfamiliar with.

I have put a few images from the day into this post. Most were shot with the 18-55 lens, wide open although a few towards the end of the day were shot with the 35mm. I wish in hindsight I had used the 35mm more. I. Used this wide open too. Most of the images were shot at ISO1600. The day was dull and I wanted to ensure a decent shutter speed. I ignored the histogram, this is not landscape photography (as long as I wasn’t clipping the highlights). I just let Aperture Priority do it’s job for me. I have not run any noise reduction on these files, just tweaked them a little in Lightroom, and I have not sharpened the files either. I wanted to show them more as the camera produced them.

So, that’s my initial thoughts. No doubt, I’ll have more to say as I get used tot he camera. I have another day out with it next week on the south coast. A different environment and a different style of shooting to look forward to.

 

 
A BIG thank you to Tim Allen ( http://www.timallenphoto.co.uk/ ) for organising the day and our walking route and to both Tim and Valda Bailey ( www.valdabailey.co.uk ) for being such good company on this day out in London. I am sure their images will be way better than mine.

Why Usability is More Important than Image Quality To Me and Why I Wouldn’t Buy Nikon.

usability

Lets get one thing really clear at the outset. This post is not a Canon verses Nikon post. I am a Canon user and this post will go some way to explaining why, but right from the beginning lets be clear, If image quality is the most important factor to you in camera choice right now, as a DSLR buyer then go right ahead and get yourself a Nikon D800. It is amazing. What you read in the reviews is right about the quality of the files it produces. Here, at last is a DSLR which produces files very (very) close to medium format quality. You will not be disappointed by the images you get from it as regards the way it handles colour, contrast or detail. You will be able to crop into images heavily and still be able to produce wonderful prints. It is a ‘game changer’.

Would I buy one? No.

Is that because I am biased? No.

Is that because I am heavily invested in Canon EOS lenses? No.

Is it because, in reality, I like blurry, soft, images and, in fact love analogue images more than digital? No.

Why then?

One word. Usability.

I work with workshop participants weekly. I work with every make of camera on the market they bring along. Every model. Without exception, Canon DSLR’s are the most user friendly cameras on the market today.

Let me give you some examples of issues I have with Nikon’s in particular which make them unusable FOR ME (but you might be fine with).

1. Exposure simulation in Live View. In both Canon and Nikon systems as you adjust the aperture or shutter speed while in Live View the monitor will get brighter or darker to simulate this for you, just as a helpful approximation, the affect of those changes on your image. Slow down the shutter speed and the screen gets brighter. Speed it up and it gets darker and so on. Except, and it baffles me as to why, but the Nikon designers decided tht this really useful feature should stop working when the shutter speed exceeds 2 seconds (6 seconds on some models). Yup, thats right. Do they think it is of no help to see what’s happening when light levels are so low that we need exposures longer than 2 seconds? What on earth possessed them to BUILD THIS IN? Canons on the other hand simulate the exposure right up to 30 seconds. Usability.

2. I would love a Nikon designer to explain to me why they decided you can’t see the light meter gauge superimposed on the Live View screen. You have to turn Live View OFF, and either put your eye to the eyepiece or switch on the “Quick Info” menu to see the Light Meter gauge. Baffling. Needless to say on the Canon it is viewable in Live View.(UPDATE: apparently, you can see some sort of light meter gauge by pressing the OK button in LV on some Nikon bodies, high end it seems, but not all. I will have to see exactly what this looks like next time I have a Nikon in my hands to assess)

3. Another completely unforgivable omission on a Nikon that I find unacceptable is that while you can focus in Live View mode, manually or automatically, you cannot use the depth of field preview button in Liew View to check you have focused on the correct point and have everything you require in sharp focus.  Whereas, of course, you can on the Canons, even the most basic models.(UPDATE; I have, since writing this, found out that on the D3 and D800 models depth of field is simulated constantly in Live View. This seems to me to be a great feature. The only thing I would say is, in using D3’s and D800’s, the graniness of the monitor compared to those used by Canons is so bad that I hadn’t noticed that this was, in fact the case. So although I applaud the ‘feature’ It would be good, now, to improve the sharpness of the monitors on these cameras to make the feature useable)

By the time I get to point three I find that a Nikon is so frustrating to use I just refuse to consider buying one, no matter how good the image quality is over a Canon. I know that at some point Canon will release a full frame body which will rival or exceed the D800 in image quality. In the meantime I also know the 5D mk2 and 3 still exceeds any requirements for image quality my customers have ever required already, so they are not poor cameras. I can wait. I am baffled by those who have sold their (in my opinion) superior L EOS lenses  and bodies to jump on the D800 bandwagon, seduced simply by image quality. 

They certainly do have amazing, stunning image quality. No doubt about that whatsoever. But I wonder how many are secretly fuming and regretting the move. Furious that they didn’t realise how poorly designed the Nikon’s are and how frustrating they are to use to to those who are used to the amazing usability and functionality of Canons EOS range? I wonder how many stand behind the D800 in low light in turmoil wondering if they have the depth of field they need? Remembering how easy it was to check on a Canon? Annoyed about yet again having to turn off Live View and turn on another screen just to make exposure adjustments, while reminiscing at how easy it was back in the day when they had a Canon? And more money in their bank account?

If you are a Nikon owner, please don’t get me wrong. They are superb cameras that will give you years of great service. If you have never owned a Canon you probably haven’t even noticed these issues and have no problems using your camera. My comments are aimed more at Nikon themselves or these design flaws and at Canon users, especially high end 1ds and 5d users who are being seduced away from Canon by the IQ of the D800. It is these I am urging to think again.

(UPDATE:Since writing this, I have have had others raise issues to do with Nikons being difficult to operate with gloves on, compared to Canons, issues to do with how complex and baffling their menu systems are, that in Live View the D800 drops to just 4 frames per second, the inexplicable AF/MF switch on Nikons etc, etc, etc. I am sure there are many more. For me the functions I have mentioned are just those that would affect the way I use a camera the most. All cameras have their foibles and I know Canons have some of their own too. I also wanted to add that if you don’t use a camera in the way I do, maybe the features I have discussed may have no impact on your choice of body manufacturer, which is fine. I just felt I had to flag up certain things about Nikons which most users do not become aware of until after they have spent a huge amount of money buying into a system of bodies and lenses and are pretty much tied into for the foreseeable future. I just wanted you to go in with your eyes open).

So if you are thinking of switching systems, think long and hard. Don’t just consider IQ. Think about usability and functionality. If you are thinking about buying a DSLR for the first time, think about the same things too. The decision you make now will tie you in to a system, potentially for many years to come. 

It’s not all about megapixels. It’s about usability, so that operating the camera becomes simple and invisible. Thus your mind is free to concentrate on what is really important. Composition. Timing. Light. Art. Not faffing about with a bit of kit that just frustrates you.